Friendship is a deep and meaningful bond that we share with others. It’s one of the most important relationships we have in our lives. And while friends may come and go, the ones that stick around are the ones that we cherish the most. These famous poems about friendship are sure to remind you of the importance of having good friends in your life .
Famous Short Poems About Friendship
A Time to Talk by Robert Frost
When a friend calls to me from the road
And slows his horse to a meaning walk,
I don’t stand still and look around
On all the hills I haven’t hoed,
And shout from where I am, What is it?
No, not as there is a time to talk.
I thrust my hoe in the mellow ground,
Blade-end up and five feet tall,
And plod: I go up to the stone wall
For a friendly visit.
With A Friend by Vivian Gould
I can talk with a friend
and walk with a friend
and share my umbrella in the rain.
I can play with a friend
and stay with a friend
and learn with a friend
and explain.
I can eat with a friend
and compete with a friend
and even sometimes disagree.
I can ride with a friend
and take pride with a friend.
A friend can mean so much to me!
Poem By Langston Hughes
“I loved my friend
He went away from me
There’s nothing more to say
The poem ends,
Soft as it began-
I loved my friend.”
Best Poems On Friendship
Hoping To Hear From A Former Friend By Margaret Hasse
Is it you on the other end of the line
hesitant to speak to me, pausing for a moment
to register my hello so you know my number
stayed the same, my last name remains mine?
Though my voice isn’t young as when we last spoke,
don’t you hear a familiar timbre?
Still you hesitate so as not to startle me
after all this time. Dots string out like an ellipsis
in the endless sentence of your absence.
I hear static-filled ticking, then
a friendly stranger mispronounces my name.
Recognizing a pitch to sell something
and feeling foolish, I hang up quickly.
Won’t you ever break your long silence?
Sorrow and anger keep my line open to you.
A Poision Tree By William Blake
“I was angry with my friend:
I told my wrath, my wrath did end.
I was angry with my foe:
I told it not, my wrath did grow.
And I waterd it in fears
Night & morning with my tears;
And I sunned it with smiles,
And with soft deceitful wiles.
And it grew both day and night,
Till it bore an apple bright.
And my foe beheld it shine,
And he knew that it was mine,
And into my garden stole,
When the night had veiled the pole;
In the morning glad I see
My foe outstretchd beneath the tree.”
Your Catfish Friend Richard Brautigan 1935-1984
If I were to live my life
in catfish forms
in scaffolds of skin and whiskers
at the bottom of a pond
and you were to come by
one evening
when the moon was shining
down into my dark home
and stand there at the edge
of my affection
and think, “It’s beautiful
here by this pond. I wish
somebody loved me,”
I’d love you and be your catfish
friend and drive such lonely
thoughts from your mind
and suddenly you would be
at peace,
and ask yourself, “I wonder
if there are any catfish
in this pond? It seems like
a perfect place for them.”
Us Two By A.A. Milne
Wherever I am, there’s always Pooh,
There’s always Pooh and Me.
Whatever I do, he wants to do,
“Where are you going today?” says Pooh:
“Well, that’s very odd ‘cos I was too.
Let’s go together,” says Pooh, says he.
“Let’s go together,” says Pooh.
“What’s twice eleven?” I said to Pooh.
(“Twice what?” said Pooh to Me.)
“I think it ought to be twenty-two.”
“Just what I think myself,” said Pooh.
“It wasn’t an easy sum to do,
But that’s what it is,” said Pooh, said he.
“That’s what it is,” said Pooh.
“Let’s look for dragons,” I said to Pooh.
“Yes, let’s,” said Pooh to Me.
We crossed the river and found a few-
“Yes, those are dragons all right,” said Pooh.
“As soon as I saw their beaks I knew.
That’s what they are,” said Pooh, said he.
“That’s what they are,” said Pooh.
“Let’s frighten the dragons,” I said to Pooh.
“That’s right,” said Pooh to Me.
“I’m not afraid,” I said to Pooh,
And I held his paw and I shouted “Shoo!
Silly old dragons!”- and off they flew.
“I wasn’t afraid,” said Pooh, said he,
“I’m never afraid with you.”
So wherever I am, there’s always Pooh,
There’s always Pooh and Me.
“What would I do?” I said to Pooh,
“If it wasn’t for you,” and Pooh said: “True,
It isn’t much fun for One, but Two,
Can stick together, says Pooh, says he. “That’s how it is,” says Pooh.
The Friend By Matt Hart
For Nate Pritts
The friend lives half in the grass
and half in the chocolate cake,
walks over to your house in the bashful light
of November, or the forceful light of summer.
You put your hand on her shoulder,
or you put your hand on his shoulder.
The friend is indefinite. You are both
so tired, no one ever notices the sleeping bags
inside you and under your eyes when you’re talking
together about the glue of this life, the sticky
saturation of bodies into darkness. The friend’s crisis
of faith about faith is unnerving in its power
to influence belief, not in or toward some other
higher power, but away from all power in the grass
or the lake with your hand on her shoulder, your hand
on his shoulder. You tell the friend the best things
you can imagine, and every single one of them has
already happened, so you recount them
of great necessity with nostalgic, atomic ferocity,
and one by one by one until many. The eggbirds whistle
the gargantuan trees. The noiserocks fall twisted
into each other’s dreams, their colorful paratrooping,
their skinny dark jeans, little black walnuts
to the surface of this earth. You and the friend
remain twisted together, thinking your simultaneous
and inarticulate thoughts in physical lawlessness,
in chemical awkwardness. It is too much
to be so many different things at once. The friend
brings black hole candy to your lips, and jumping
off the rooftops of your city, the experience.
So much confusion — the several layers of exhaustion,
and being a friend with your hands in your pockets,
and the friend’s hands in your pockets.
O bitter black walnuts of this parachuted earth!
O gongbirds and appleflocks! The friend
puts her hand on your shoulder. The friend
puts his hand on your shoulder. You find
a higher power when you look.
Overnight By John Yau
In Memory of Paul Violi (1944–2011)
I did not realize that you were fading from sight
I don’t believe I could have helped with the transition
You most likely would have made a joke of it
Did you hear about the two donkeys stuck in an airshaft
I don’t believe I could have helped with the transition
The doorway leading to the valleys of dust is always open
Did you hear about the two donkeys stuck in an airshaft
You might call this the first of many red herrings
The doorway leading to the valleys of dust is always open
The window overlooking the sea is part of the dream
You might call this the first of many red herrings
The shield you were given as a child did not protect you
The window overlooking the sea is part of the dream
One by one the words leave you, even this one
The shield you were given as a child did not protect you
The sword is made of air before you knew it
One by one the words leave you, even this one
I did not realize that you were fading from sight
The sword is made of air before you knew it
You most likely would have made a joke of it
Having A Coke With You By Frank O’hara 1926-1966
is even more fun than going to San Sebastian, Irún, Hendaye, Biarritz, Bayonne
or being sick to my stomach on the Travesera de Gracia in Barcelona
partly because in your orange shirt you look like a better happier St. Sebastian
partly because of my love for you, partly because of your love for yoghurt
partly because of the fluorescent orange tulips around the birches
partly because of the secrecy our smiles take on before people and statuary
it is hard to believe when I’m with you that there can be anything as still
as solemn as unpleasantly definitive as statuary when right in front of it
in the warm New York 4 o’clock light we are drifting back and forth
between each other like a tree breathing through its spectacles
and the portrait show seems to have no faces in it at all, just paint
you suddenly wonder why in the world anyone ever did them
I look
at you and I would rather look at you than all the portraits in the world
except possibly for the Polish Rider occasionally and anyway it’s in the Frick
which thank heavens you haven’t gone to yet so we can go together for the first time
and the fact that you move so beautifully more or less takes care of Futurism
just as at home I never think of the Nude Descending a Staircase or
at a rehearsal a single drawing of Leonardo or Michelangelo that used to wow me
and what good does all the research of the Impressionists do them
when they never got the right person to stand near the tree when the sun sank
or for that matter Marino Marini when he didn’t pick the rider as carefully
as the horse
it seems they were all cheated of some marvelous experience
which is not going to go wasted on me which is why I’m telling you about it
Tug O’ War By Shel Silverstein
“I will not play at tug o’ war.
I’d rather play at hug o’ war,
Where everyone hugs
Instead of tugs,
Where everyone giggles
And rolls on the rug,
Where everyone kisses,
And everyone grins,
And everyone cuddles,
And everyone wins”
Red Brocade By Naomi Shibab Nye
The Arabs used to say,
When a stranger appears at your door,
feed him for three days
before asking who he is,
where he’s come from,
where he’s headed.
That way, he’ll have strength
enough to answer.
Or, by then you’ll be
such good friends
you don’t care.
Let’s go back to that.
Rice? Pine nuts?
Here, take the red brocade pillow.
My child will serve water
to your horse.
No, I was not busy when you came!
I was not preparing to be busy.
That’s the armor everyone put on
to pretend they had a purpose
in the world.
I refuse to be claimed.
Your plate is waiting.
We will snip fresh mint
into your tea.
To All My Friends By May Yang
That I could be this human at this time
breathing, looking, seeing, smelling
That I could be this moment at this time
resting, calmly moving, feeling
That I could be this excellence at this time
sudden, changed, peaceful, & woke
To all my friends who have been with me in weakness
when water falls rush down my two sides
To all my friends who have felt me in anguish
when this earthen back breaks between the crack of two blades
To all my friends who have held me in rage
when fire tears through swallows behind tight grins
I know you
I see you
I hear you
Although the world is silent around you
I know you
I see you
I hear you
A Walk In The Cemetery By Gary Soto
In memory of David Ruenzel, 1954–2014
I searched for twenty minutes
For my murdered friend’s grave,
A small, white marker,
# 356 it reads. He is not
This number, or any number,
And he is not earth,
But a memory
Of how he and I hiked
Through this Oakland cemetery—
What, six months before
He was shot? We stopped
At the Fred Korematsu stone,
Righteous man, stubborn
Behind bars for refusing
The Japanese-American internment in 1942—
Jail for him, in suit and tie, god dammit.
We righted flowers at his grave,
Bright with toy-like American flags,
And shaded our eyes to follow
The flight of the hawks above.
We left and walked up a slope
And visited a part of the cemetery
Where the Chinese are buried,
A division of races, a preference?
Now I’m at his grave marker—
The stone for him has yet to arrive.
His widow lives a mile up
In the Oakland Hills.
Here is truth: she has a telescope
Trained on his grave.
She pours coffee—she looks.
She does the vacuuming—she looks.
She comes home hugging bags
Of groceries—she looks.
Perhaps she is getting up
From the piano, an eye wincing
Behind the telescope.
If so, she would see me
Looking at marker #366—
This plot is available,
Purchasable, ready
For a down payment.
But the first installment
I must pay with my life.
What then? His widow
Will still keep the telescope
Trained on his grave,
Now and then swiveling
It to #366, his friend.
The buzzing bees would languidly
Pass the honey between us.
Best Friendship Poems 2022
A Dog Has Died By Pablo Neruda
My dog has died.
I buried him in the garden
next to a rusted old machine.
Some day I’ll join him right there,
but now he’s gone with his shaggy coat,
his bad manners and his cold nose,
and I, the materialist, who never believed
in any promised heaven in the sky
for any human being,
I believe in a heaven I’ll never enter.
Yes, I believe in a heaven for all dogdom
where my dog waits for my arrival
waving his fan-like tail in friendship.
Ai, I’ll not speak of sadness here on earth,
of having lost a companion
who was never servile.
His friendship for me, like that of a porcupine
withholding its authority,
was the friendship of a star, aloof,
with no more intimacy than was called for,
with no exaggerations:
he never climbed all over my clothes
filling me full of his hair or his mange,
he never rubbed up against my knee
like other dogs obsessed with sex.
No, my dog used to gaze at me,
paying me the attention I need,
the attention required
to make a vain person like me understand
that, being a dog, he was wasting time,
but, with those eyes so much purer than mine,
he’d keep on gazing at me
with a look that reserved for me alone
all his sweet and shaggy life,
always near me, never troubling me,
and asking nothing.
Ai, how many times have I envied his tail
as we walked together on the shores of the sea
in the lonely winter of Isla Negra
where the wintering birds filled the sky
and my hairy dog was jumping about
full of the voltage of the sea’s movement:
my wandering dog, sniffing away
with his golden tail held high,
face to face with the ocean’s spray.
Joyful, joyful, joyful,
as only dogs know how to be happy
with only the autonomy
of their shameless spirit.
There are no good-byes for my dog who has died,
and we don’t now and never did lie to each other.
So now he’s gone and I buried him,
and that’s all there is to it.
Dog Music By Paul Zimmer
Amongst dogs are listeners and singers.
My big dog sang with me so purely,
puckering her ruffled lips into an O,
beginning with small, swallowing sounds
like Coltrane musing, then rising to power
and resonance, gulping air to continue—
her passion and sense of flawless form—
singing not with me, but for the art of dogs.
We joined in many fine songs—”Stardust,”
“Naima,” “The Trout,” “My Rosary,” “Perdido.”
She was a great master and died young,
leaving me with unrelieved grief,
her talents known to only a few.
Now I have a small dog who does not sing,
but listens with discernment, requiring
skill and spirit in my falsetto voice.
I sing her name and words of love
andante, con brio, vivace, adagio.
Sometimes she is so moved she turns
to place a paw across her snout,
closes her eyes, sighing like a girl
I held and danced with years ago.
But I am a pretender to dog music.
The true strains rise only from
the rich, red chambers of a canine heart,
these melodies best when the moon is up,
listeners and singers together or
apart, beyond friendship and anger,
far from any human imposter—
ballads of long nights lifting
to starlight, songs of bones, turds,
conquests, hunts, smells, rankings,
things settled long before our birth.
A Love Letter To My Best Friend By Andrew Warner
Alone by Maya Angelou
[Excerpt]
“Lying, thinking
Last night
How to find my soul a home
Where water is not thirsty
And bread loaf is not stone
I came up with one thing
And I don’t believe I’m wrong
That nobody,
But nobody
Can make it out here alone.”
Famous Poems About Friendship By Famous Poets
In The Company Of Women by January Gill-O’Neil
[Excerpt]
“Make me laugh over coffee,
make it a double, make it frothy
so it seethes in our delight.
Make my cup overflow
with your small happiness.
I want to hoot and snort and cackle and chuckle.
Let your laughter fill me like a bell.
Let me listen to your ringing and singing
as Billie Holiday croons above our heads.”
What is the greatest gift? by Mary Oliver
[Excerpt]
“What is the greatest gift?
Could it be the world itself—the oceans, the meadowlark,
the patience of the trees in the wind?
Could it be love, with its sweet clamor of passion?
Something else—something else entirely
holds me in thrall.
That you have a life that I wonder about
more than I wonder about my own.“
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