Looking for the best Terry Pratchett books? It is no secret to some fiction book readers, which Terry Pratchett had a brilliant head, magnificent imagination, and has been a fantastic writer. Because of his rise to fame in the ’70s, Pratchett’s work has prompted tens of thousands, possibly millions thanks to its intricacy and positive vision.
Pratchett’s career-defining invention was the Discworld, in which no less than 41 of his novels were set. The facts, depth, and narrative lines inside his academic setting of the Discworld are rather frankly mind-blowing. Every Discworld publication is playing its part in the larger picture, together with characters crossing and intertwining their tales, sometimes across heaps of novels. The buzzing hive of existence around the Discworld is indeed intricate and lively; it is a miracle how Pratchett maintained it enthralling for so many decades.
With well more than 50 functions to his name throughout his career, the late great Terry Pratchett composed some all-time traditional fantasy books. Narrowing his whole collection down to only ten novels is a lot harder than you may anticipate. However, out of a career spanning over four years, Pratchett’s are very engaging, innovative, conference challenging, and psychedelic novels.
- 1 Top 27 Rated Best Terry Pratchett Books To Read
- 1.1 Small Gods
- 1.2 Men at Arms
- 1.3 Reaper Man
- 1.4 Guards! Guards!
- 1.5 Mort
- 1.6 Night Watch
- 1.7 Carpe Jugulum
- 1.8 Going Postal
- 1.9 Moving Pictures
- 1.10 Lords and Ladies
- 1.11 The Colour of Magic
- 1.12 Equal Rites
- 1.13 Sourcery
- 1.14 Monstrous Regiment
- 1.15 Thief of Time
- 1.16 Jingo
- 1.17 Interesting Times
- 1.18 Snuff
- 1.19 Raising Steam
- 1.20 The Last Hero
- 1.21 The Wee Free Men (Tiffany Aching)
- 1.22 Making Money
- 1.23 Thud!
- 1.24 A Hat Full of Sky (Tiffany Aching)
- 1.25 Wintersmith (Tiffany Aching)
- 1.26 Soul Music
- 1.27 Lords and Ladies
Top 27 Rated Best Terry Pratchett Books To Read
Here is a list of the best books that Pennbookcenter recommended reading:
Small Gods is the book I recommend to folks as their initial foray to the Discworld. It is a meditation on faith, private morality, the risks and prospects of progress, religion, and good deeds. Also, it is quite funny. Terry Pratchett’s anticlericalism is a running motif in Discworld, but this book manages to become humane towards faith and downright scathing at precisely the same moment. It’s also amazingly complete to not rely on some of those figures Pratchett had spent the previous 12 books setup.
Men at Arms
You will observe that I have a good deal of time for your Ankh-Morpork City Watch, Men At Arms is where they attain their summit. This is the publication that sees Sam Vimes evolve as a character, providing us the Boots concept of socio-economic unfairness in addition to confronting a superbly angry and devious antagonist. It’s also about the entire watch, unlike only Sam Vimes, as the subsequent books tended towards. There are too many highlights, but they comprise: the publication also features the socio-economic concept of unfairness. Gaspode, the wonder dog if you desire to have an evil guy or the right person to stage a gonne in and Vetinari manipulating the town’s inhabitants and guilds to maintain the entire thing ticking.
Death is retired later getting attached to the people, and things go awry. Though it is based on a similar conceit Mort, this one is better. The growth of Bill Door and Miss Flitworth’s connection is touching, as is his Departure’s entire relationship with the villagers. In addition to a fantastic, if instead of a parochial narrative for Death, there are also Wizards running about Ankh-Morpork combating and fooling around trying to ruin consumerism’s embodiment. Plus, we receive the Death of Rats.
In Guards! Guards! We fulfill the Ankh-Morpork City Watch and precisely what a country it’s in. Sam Vimes is an alcoholic, Nobby is a criminal, and Colon is counting down to retirement. And Corporal Carrot is 6 ft. It lacks the developed dynamics of this watch and town, but it’s so well-paced, the activity is again and brilliant, it’s really, very humorous. Dragons farting, I mean, come forth! This is excellent stuff.
Besides Sam Vimes and Esme Weatherwax, Death is a critical character; he seems in basically each publication. Mort is due to Death’s helper and fucks up everything, such as falling in love with a princess and Departure’s kid and altering background. Departure’s humanization is one of Terry Pratchett’s most incredible thoughts; death does not always get it right, and in this lies the humor.
The first few books are Whodunnits put in Ankh-Morpork along with also the subsequent two accept the City Watch out of the town; Night Watch will work both. I was traveling back in time to when Sam Vimes first joined the drive. Here is the first of 3 novels (Night Watch, Thud!, Snuff) that are far more Sam Vimes Books than City Watch Books, it signifies the next peaking of this watch collection. Grandfather paradoxes and source stories galore, meaning that is a fantastic book to get a Discworld fan. And Carcer makes for a very well drawn and dreadful villain.
For some reason, I have always adored Carpe Jugulum. It’s the final Witches book until Tiffany Aching reaches the focus on the sequence. Granny Weatherwax faces her most formidable challenge yet and overcomes it via the medium of tea. For me, it surpasses Witches Abroad, Lords and Ladies, and Maskerade since the villains are much more intriguing. This Magpyr Vampire family members’ social dynamic and his confrontation with modernity is a beautiful theme continued in after Discworld novels.
Another publication in the mold of Ankh-Morpork’s slow ooze to the contemporary era sees the diversion of this post office and the debut of a new personality. Moist von Lipwig is a loveable chancer who, like most Pratchett personalities, comes to heroism reluctantly.
The very first of the “industrial revolution” novels look in the film market. Or Holywood is a clear goal for a satire, but not for a dream writer. But which makes the magic of Hollywood magical. Detritus, Gaspode, along with a guy so lazy he keeps himself incredibly good shape are comic masterstrokes, but the book’s climax is somewhat anticlimactic.
Lords and Ladies
Elves are the only species that look nearly irredeemable about the Discworld, even Orcs get a fair crack of the whip, but Elves are vindictive bastards. I believe that is Sir Terry day up the dream score, he adored an underdog, and that I think he correctly surmises that anybody magical, memorable, immortal is sure to be a dickhead. Magret shoots one from the eye through a keyhole, and it is a great slice of character growth exposition I have ever read. Along with also, the Ogg clan has a fantastic showing with Morris Dancers and Shawn Ogg equally playing crucial roles for the narrative and the humor.
The Colour of Magic
Technically among the more flawed Discworld books and the matrix and font of all that came after. Plotting on The Colour of Magic is feeble since Rincewind, Twoflower and the Luggage all go from 1 dream trope into the other, running away from each in turn. But there is still so much pleasure in reading this first publication I can not rate it any lower. Though the Discworld developed hugely from this humble start, lots of it was in place from this very first publication.
The first post-Rincewind publication introduces an excellent female character, something sorely missing from the first two novels. As from the Colour of Magic, much of the planet construction is out of kilter with later books, the last struggle between Esme and the Archchancellor particularly. However, the interaction between a witch and a precocious kid is fantastic.
Sourcery is your bridge between the old world construction age of dream parodies (The Colour of Magic, The Light Fantastic, Equal Rites, Mort and Sorcery), along with the golden era of later novels (Wyrd Sisters before Men at Arms). Everything remains in flux, but you can see the beginnings of this “contemporary” Discworld developing. Rincewind’s third experience is just one where he has some good character development rather than being an itinerant coward. Similarly, magic and Ankh-Morpork take firmer shape as a tool that may inspire additional books. For many of these reasons, I believe Sorcery holds up much better than many men and women give it credit for.
The unsubtle of Terry Pratchett’s parodies, and because of this, I like it. SPOILER ALERT Everybody is a girl. Everyone. It is like being hit in the face with a wet fish while somebody yells, “is not sexism silly?!” Pratchett does some fantastic female characters and gender dynamics in different publications, but that one puts it on thick. It’s thus hilarious, in a Dom Joly/Stewart Lee insistent way I enjoy, but that others find that a little much.
Thief of Time
Death, Once More, is up against the Auditors of Truth. His granddaughter is involved. Along with the Death of Rats. All fantastic characters against an autistic clockmaker and also an auditor gradually losing “her” mind. The gradual destruction of beings of pure motive by straightforward human experiences is amusing and intriguing. Along with the listening, monks receive a fair go. However, the setup is a lot better than the end. Unfortunately, one of the problems of composing books without understanding where they are going.
The City Watch leaves Ankh-Morpork to attempt to prevent a war. Pratchett is a great liberal, and also the anti-Jingoism and overall frustration at the idiocy of war excels. The double story familiar to most Discworld books works nicely with Sam Vimes off attempting to resolve a crime while Nobby, Colon, Vetinari, and Leonardo da Quirm sneak around in a submarine. Vimes Klatchian reverse number is a beautiful foil for his small Ankh-Morpork failings.
Cohen’s Silver Horde takes over the Agatean Empire through guile, cunning, and violence. I believe Pratchett is on the weaker ground sending up civilizations he does not understand (or businesses, compare Moving Photographs into the Truth). Therefore this lacks the punch of Jingo or the Monstrous Regiment as a send-up of tyrannical overreach. It’s enormously enjoyable to see, and you can not help rooting for Cohen along with the Horde. Still, on rereading, I can not help noticing how reliant Rincewind’s novels are on characters aside from Rincewind.
Now Terry Pratchett’s Alzheimer’s was diagnosed and was impacting his ability to compose independently. This is evident since the book is a lot more than other Discworld novels. As every author knows, it’s much more challenging to write something brief, then long. There are lots to enjoy in the publication; in the introduction of Constable Sweeney into the Goblins themselves. But there is also plenty to dislike; the regional magistrates appear materialistic, Wilkins is unrecognizable from Jingo and only a bit too unbelievable. However, I am grateful Terry and Sam must have one final vacation together.
Another of those later Discworld novels. The lower writing is rescued from the brilliant thought. Imagine if Ned Simnel’s combine harvester functioned? Imagine if the Discworld had mechanical electricity in addition to magic? Seeing the funding and construction and socio-economic effect of railways performed was brilliant by this stage that the Discworld remains in its multi-novel subplot of dwarfish religious extremists opposing progress and behavioral upheaval. This subplot can continue across many novels as a testament to the solidity of that which was once only a disk on the rear of a few elephants onto a turtle. But that usually means the political and ethical messaging is not as subtle as it was, similar to the writing.
The Last Hero
Is that a book? A picture book? An illustrated publication? Who cares? It is the culmination of all Rincewind’s story, and He’s connected by Leonard of Quirm, Captain Carrot, and the Librarian in attempting to prevent the destruction of Earth. The examples are great; however, the narrative is relatively linear in comparison to other Discworld novels. Cohen and the Silver Horde’s strategy to return fire to the gods is a fantastic conceit to get a book, but it lacks a specific something.
The Wee Free Men (Tiffany Aching)
Tiffany Aching is a Wonderful addition to the Discworld. There’s currently a true cradle to grave support having a five-part youthful adult series to communicate with people in the Discworld household. Its rankings diminished because, honestly, it’s a young adult fiction book, and I am not a young adult. Nonetheless, the novel builds on the Witches series brightly, and Tiffany, the Nac Mac Feegle, Elves, and the Chalk all socialize brilliantly to make a compelling narrative. Like other young adult fiction, it is overly reliant on a singular hero for me, but a 30-year-old guy isn’t a young woman.
The next Moist von Lipwig book. Ankh-Morpork’s continuing growth gathers pace with the coming of contemporary banking. Unlike Moving Postal, the storyline does not drive forward in precisely the same manner. Its novel as the world market fell more than makes it quite timely, and really, there’s something magical about cash: Fiat money, it’s bizarre. However, the figures are somewhat less three dimensional, and the dialogue is not as snappy. It’s a portion of the decrease of the Discworld, but it’s still impressive.
For me, Thud! It is the beginning point of decrease for after Discworld books. Vimes becomes heroic, not only to residents of Ankh-Morpork, however to Pratchett himself. Vimes that the everyman is gone from Thud! And that’s much to the detriment of this character and series. This is the place where the City Watch books indeed become Sam Vimes books, which usually means a problem for character growth for everybody. Fixing dream conflicts like geopolitics is a fantastic invention, but religious fundamentalists’ usage to transfer things on is somewhat weak. “Mr. Shine. Him Diamond.” It is an excellent and optimistic political motto and I think that it’s a significant bit of effort to get upon the optimism only a troll may sense for his king at this kind of straightforward troll-like step.
A Hat Full of Sky (Tiffany Aching)
Similar problems for me personally as above and the Hiver is the only silly antagonist. The witch trials have been fun, however, as would be the Nac Mac Feegle, who is another masterful creation of overdue age Pratchett, which is too easy to overlook if you dismiss his work.
Wintersmith (Tiffany Aching)
The very first Tiffany Aching publication I enjoyed, however, the next one does not function for me. All these are young adult fiction, as well as the trend for young adult fiction novels to get heroes and heroines that are slightly too strong due to being “selected” somehow annoys me a great deal. However, these books are not for me; therefore, I will not set the boot in a lot.
It might not be among the most renowned novels, but can you pass up Pratchett sending the audio market? Additionally, you get a book based around Death, the single character in each Discworld book. He is the reaper, clearly, but grimness is not his bag. He can be the most dependable character for laughs in the whole canon, and thus don’t fear the reaper.
Lords and Ladies
Given Discworld is a medieval/Renaissance-era dream world, it would be a crime not to become a parody of these phases’ real literature. If you are a lover of Shakespeare, Chaucer, the theater, and A Midsummer Night’s Dream, mainly, then that is the book for you. Pratchett’s hilariously mismatched coven of witches is also featured.
Thank you for reading and welcome your thoughts in the comment.
Last update on 2020-09-21 / Affiliate links / Images from Amazon Product Advertising API